The tide is neither here nor there. There’s no barrier, but I suspect they wish you wouldn’t walk amongst the treasures. Here at the top it’s all plastic colours. Bags hold onto their contents. Blue pot pourri – dyed husks that have forgotten their smell. A red strap that used to hold things together. Further in, the colours grey. Cracked glass. Feather soft ash. And down here by the shore, rusted up shapes, like tempura vegetables. A nail, a hook, the loop from a long rotted tarpaulin.
I prefer here to the tarmacked path, dissected in two, punctuated by red signs in anticipation of emergencies. Here, moss clings slick green to concrete corners. Cobble stones bridge the shore. Here, the water is closer. It’s just a step across to the stacks of windows on the far shore. But standing there, I wouldn’t feel the crunch and give of cracked ceramic and rusted metal and rock underneath my feet. Standing there, for too long, I would be asked to leave.
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